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Yamaha FGX800C Acoustic Guitar

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The first choice in experiencing acoustic-electric music.Derived from FG800 which has the solid spruce top and nato/okume back and sides, FGX800C has a cutaway body and the electric system. Yamaha’s proprietary under-saddle piezo pickup and System66 analog preamp ensure the solid plugged-in performance.

  • Traditional Western Body
  • Solid Spruce Top
  • Nato/Okume Back & Sides
  • Newly Developed Scalloped Bracing
  • Traditional looks and outstanding quality

Specification

Overview

Brand

Yamaha

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TECHNICAL SPECIFICATION
FGX800C
Scale Length 650mm (25 9/16”)
Body Length 505mm (19 7/8")
Total Length 1038mm (40 7/8")
Body Width 412mm (16 1/4")
Body Depth 100-118mm (3 15/16”- 4 5/8”)
Nut Width 43mm (1 11/16”)
String Spacing 11.0mm
Top Material Solid Spruce
Back Material Nato/Okume
Side Material Nato/Okume
Neck Material Nato
Fingerboard Material Walnut
Fingerboard Radius R400mm (15 3/4")
Bridge Material Walnut
Nut Material Urea
Saddle Material Urea
Bridge Pins Black ABS with White Dot
Tuners Die-cast Chrome(TM29T)
Body Binding Black
Soundhole Inlay Black + White
Pickguard Tortoise Pattern (Black for BL color variation)
Body Finish Gloss
Neck Finish Matt
Electronics None
Controls None
Connections None
Strings Yamaha FS50BT or D'Addario EXP11
Accessories Hex Wrench
Case None

When it was introduced in 1966, the Yamaha FG proved that a great acoustic guitar didn’t need to cost a fortune. With a focus on great playability, musical tone and outstanding build quality, the original FG180 quickly became a classic with countless careers and hit records starting life on an FG. 50 years since the introduction of the FG acoustics, the new range features the best-ever FG tone and the same great playability and class-leading quality that’s made it the choice of millions of guitarists. Wherever your musical journey’s going, it all starts here.

The history of Yamaha‘s FG series started in 1966 with the release of the FG180 and FG150. Over the 50 years since its introduction, we have developed and produced several generations of FG - all of which have made FG the ideal acoustic for contemporary players. In all, there have been over 200 FG models since 1966.

A new FG has louder and stronger sound in the low- to mid-ranges, thanks to cutting-edge acoustic analysis technology developed by the Yamaha R&D Division. Yamaha’s engineers have achieved this sound by utilizing analysis and simulation to arrive at the best bracing design without depending on tradition or guesswork. Every aspect of an FG is crafted to make a better guitar. From painstakingly cured and dried woods to beautiful hand-sprayed finishes and detailed quality control checks each and every FG is made to be a lifelong partner.

Newly Developed Scalloped Bracing

A new FG has louder and stronger sound in the low- to mid-ranges, thanks to cutting-edge acoustic analysis technology developed by the Yamaha R&D Division.Yamaha’s engineers have achieved this sound by utilizing analysis and simulation to arrive at the best bracing design without depending on tradition or guesswork.This analysis led to the development of the new scalloped bracing pattern, a new and ideal acoustic structure that maintains the durability of the top board while bringing out the most sound the Yamaha FG has to offer.

(1) New Scalloped Bracing

(2) Normal Bracing

The Power of Choice

2 body shapes, including an all-new FS concert size; 5 grades featuring different tonewood options; a myriad of color options; acoustic or electric-acoustic models. Whatever the personality of your music, there’s an FG to match.

The Power of Choice

2 body shapes, including an all-new FS concert size; 5 grades featuring different tonewood options; a myriad of color options; acoustic or electric-acoustic models. Whatever the personality of your music, there’s an FG to match.

Made in Yamaha

Every aspect of an FG is crafted to make a better guitar. From painstakingly cured and dried woods to beautiful hand-sprayed finishes and detailed quality control checks each and every FG is made to be a lifelong partner.

The new Yamaha FG series

One of the best selling line of acoustic guitars in the world now look and sound even better! In this video, Joshua Ray Gooch takes us through the new Yamaha FG series, highlighting the two classic shapes (FG &FS) along with the different sonic characteristics from the new bracing construction and different tone wood choices. Also take note of the new finishes options to see what look is right for you!

The new Yamaha FG series

One of the best selling line of acoustic guitars in the world now look and sound even better! In this video, Joshua Ray Gooch takes us through the new Yamaha FG series, highlighting the two classic shapes (FG &FS) along with the different sonic characteristics from the new bracing construction and different tone wood choices. Also take note of the new finishes options to see what look is right for you!

Country of origin: Indonesia
Importer Details: Yamaha Music India Pvt. Ltd

FULL CONCERT GRAND PIANO VOICE

The Full Concert Grand piano in the MX88 comes directly from the MOTIF series. With a powerful focused low-end, highly detailed midrange and pristine high-end, the Full Concert Grand piano is perfect for any style of music in any environment.

SYNTH SOUND

Don’t sacrifice sound for portability - get the MX88! The MX88 is a lightweight and portable music synthesizer with 88 full-sized, touch-sensitive keys and over 1,000 Voices from the legendary MOTIF.

 

SOUNDS FOR THE MODERN PIANO PLAYER

Beyond acoustic piano, the MX88 features an impressive selection of keyboard Voices. Choose from authentic re-creations of classic tine and reed electric pianos or retro tonewheel organs with rotary speaker effect. There are also punchy and percussive Clav sounds when you want to get funky. This wide variety of sounds makes the MX88 perfect for the stage, studio or worship service.

MOTIF SOUND ENGINE

The MOTIF Sound Engine is a powerful synthesizer technology for making sound. MOTIF Sound Engine Voices consist of up to eight Elements. These Elements can be layered for a thick, fat sound or zoned so a different Element plays in different parts of the keyboard. You can also switch between Elements by velocity for extreme dynamics or randomize Elements for anything from subtle variation to experimental sound.

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